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In
February 2014 ScopeRise featured Group of Light's
'Dubstar from Heaven' and in April 2015 we featured 'The
Story Behind The Light'.
When I first heard 'Dubstar From Heaven' I was blown away.
Not just because of its production values or the fact it
was mixed in Scope, but because, unlike some of
electronic music, it had that elusive quality called
'musicality'.
After 'Dubstar' I figured
Group of Light as electro funk but listening to tracks
like 'Music Grounds Us' with those George Duke type
Rhodes excursions, 'Eclectic Fusion', 'Blues for
Breakfast' and especially the 'RockNRolla' style David
Gilmour breaks, I saw many other influences rooted in
more traditional genres.
So
how has G.O.L. progressed
from 'DubStar' to 'Hive' ? I would say 'The
Hive' is a more focussed and cohesive statement, both
sonically and stylistically. This is the sort of
album you can pump up on the car stereo on a long
country drive. A good car stereo is the next best
thing to the specialised Hi-Fi listening I grew up with.
If you wanted to test out a brand new system in the
seventies, you would put on Pink Floyd's 'Dark Side Of
The Moon'.
Now we can get that same kind of sound and stereo
clarity workout by listening to 'The Hive' from start to
finish in one go. Or two, three, four or more
complete listenings
because there's a depth here you won't tire of quickly. |
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Spending
three years on cleaning up a lifetime's work takes
discipline. Inspirations for new material pop up
all the time so its tempting to be distracted writing
new material. Its a bit like defragging and
reformatting a hard drive to clean out all the gunk for
a fresh start.
'Sea of
Songs' was just an idea that more or less popped out of
nowhere but grew into an album of songs about topics
that had fascinated Dante over the years.
Everything from science, dinosaurs, ancient Egypt, human
senses, rock stars and bushfires come under the
conceptual radar of life experience.
Dante,
like Shay Dan, used Scope for mastering and other duties
and has more or less a set standard project that has
evolved to run @96KHz on the XITE-1D. Dante also
used Scope PCI to augment his synthesizer line up
consisting mainly of excellent John Bowen creations.
Dante
used a combination of guitar and amplification plug-ins.
Both VST and native Reason rack extensions provided the
guitar drive combined with Propellerhead bass and drum
rack extensions to produce a well rounded, authentic
rock sound.
We also
examine some distribution and sales options from a
beginners point of view and hope to see more public
releases from Scope users during 2019 and beyond. |
Group Of
Light release The Hive.
Shay Dan
releases his third major solo work in as many years.
Detail and sonic impact are his mantras and it shows in
this masterpiece of genre bending electronica.
The
Scope XITE-1 features as always on mixing and mastering
duties acting as the sonic central nervous system of
Shay's extensive array of hardware. |
Paul
Dante releases his debut album.
After spending years on
re-engineering his back catalogue Dante's creative
synapses unblock and released twelve songs of classic
style rock.
The modern
edge of Scope and VST technology take Dante's
progressive rock sound of yesteryear and kick it with
momentum into the 21st century. Mastering on
the Scope XITE-1D at 96KHz gives it that unmistakable
Scope clarity and finish. |