Mixing
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Close Sonar, increase the number of ASIO channels in the Scope routing window, connect those channels to a mixer, open Sonar, route the desired tracks to the desired ASIO channels, and put Scope effects on those channels.
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I am using the 24/48 mixer. I used different channels as you suggested but the efects still comes down on the main mix. All channels plays back the same effect. I need some more clarification on this. I have ben trying to mix with Scope for a long while now but this issue keeps haunting me.
<font size=-1>[ This Message was edited by: abre on 2005-12-10 04:30 ]</font>
<font size=-1>[ This Message was edited by: abre on 2005-12-10 04:30 ]</font>
don't monitor through sonar and then the only possible feedback would be from the open mic hearing your monitors. in that case, either don't send the live track to the mixbus or better, use headphones. in fact, just mix in scope. you can still automate volumes, mutes and sends in sonar, but mix the tracks in scope. then each track and aux and bus gets its own track in scope and you can do what you want. the advantage in in audio quality. for tracking monitor the main mixbus from sonar in scope(not individual track) for simplicity. then monitor everything else all external and internal sources on the scope mixer. the advantage, flexibilty and ease of one point monitoring. get the habit and it should all be clear.....
<font size=-1>[ This Message was edited by: garyb on 2005-12-10 11:16 ]</font>
<font size=-1>[ This Message was edited by: garyb on 2005-12-10 11:16 ]</font>
OK but if you don't use Sonar (or for that matter any hosts) internal monitoring surely you also won't hear their own effects if you apply them (or even VSTi's?) - isn't this the downside to direct monitoring in Cubase SX for example - you can't use software fx with it.On 2005-12-10 11:11, garyb wrote:
don't monitor through sonar and then the only possible feedback would be from the open mic hearing your monitors. in that case, either don't send the live track to the mixbus or better, use headphones. in fact, just mix in scope. you can still automate volumes, mutes and sends in sonar, but mix the tracks in scope. then each track and aux and bus gets its own track in scope and you can do what you want. the advantage in in audio quality. for tracking monitor the main mixbus from sonar in scope(not individual track) for simplicity. then monitor everything else all external and internal sources on the scope mixer. the advantage, flexibilty and ease of one point monitoring. get the habit and it should all be clear.....
<font size=-1>[ This Message was edited by: garyb on 2005-12-10 11:16 ]</font>
it's the same thing of mixing with external mixer, the important issue is do not mix the output of the audio track where you are recording.
To make You an example, i have a project in sonar with 10 stereo mixer tracks, each track is routed to a different bus, from asio 1/2 to asio 19/20 and i'm mixing every of these track in a separate channel of the stm 2448.
When i want to make a mixdown, i must follow the following steps:
1) inside the scope routing window, i connect the mix output of the stm to the asio 1/2 destination
2) inside sonar i create a new stereo audio track assigning asio 1/2 as input and muting the track.
3) arm the recording for the created track and i'm ready for recording.
<font size=-1>[ This Message was edited by: djmicron on 2005-12-12 01:04 ]</font>
To make You an example, i have a project in sonar with 10 stereo mixer tracks, each track is routed to a different bus, from asio 1/2 to asio 19/20 and i'm mixing every of these track in a separate channel of the stm 2448.
When i want to make a mixdown, i must follow the following steps:
1) inside the scope routing window, i connect the mix output of the stm to the asio 1/2 destination
2) inside sonar i create a new stereo audio track assigning asio 1/2 as input and muting the track.
3) arm the recording for the created track and i'm ready for recording.
<font size=-1>[ This Message was edited by: djmicron on 2005-12-12 01:04 ]</font>
if you want to route a channel of the stm mixer using vst or dx effects (for example a scope synthesizer) follow these steps:
1) enable direct outputs on stm mixer
2) on the stm channel to be processed in sonar or sx or whatever, disable the mix output.
3)connect the direct output of the channel to the asio destination, for example, use the asio 1/2 for the mix output of the stm and the asio 3/4 for processing this channel.
4) in sonar, create a new audio track and choose asio 3/4 as input channel, enable monitoring on this track and insert the effects you want.
5) assign a dedicated bus output to this track, for example asio 21/22 and connect it to a new channel of the stm mixer, but this time with the mix output activated.
6) when mixing down, connect the stm mix output to the asio 1/2 and in sonar create a new audio track, assigning it asio 1/2 as input and don't forget to mute this track during recording.
<font size=-1>[ This Message was edited by: djmicron on 2005-12-12 01:17 ]</font>
1) enable direct outputs on stm mixer
2) on the stm channel to be processed in sonar or sx or whatever, disable the mix output.
3)connect the direct output of the channel to the asio destination, for example, use the asio 1/2 for the mix output of the stm and the asio 3/4 for processing this channel.
4) in sonar, create a new audio track and choose asio 3/4 as input channel, enable monitoring on this track and insert the effects you want.
5) assign a dedicated bus output to this track, for example asio 21/22 and connect it to a new channel of the stm mixer, but this time with the mix output activated.
6) when mixing down, connect the stm mix output to the asio 1/2 and in sonar create a new audio track, assigning it asio 1/2 as input and don't forget to mute this track during recording.
<font size=-1>[ This Message was edited by: djmicron on 2005-12-12 01:17 ]</font>
here 2 example, the first is a simple example for recording from the stm and the second is for recording from stm and processing a scope synth with native dx/vst effects.
Inside the project i've used the spdif out of the powersampler card, so, if you use for example adat or analog destinations, just replace it
http://www.djmicron.org/mixdownexample.rar
<font size=-1>[ This Message was edited by: djmicron on 2005-12-13 12:24 ]</font>
Inside the project i've used the spdif out of the powersampler card, so, if you use for example adat or analog destinations, just replace it

http://www.djmicron.org/mixdownexample.rar
<font size=-1>[ This Message was edited by: djmicron on 2005-12-13 12:24 ]</font>