Repeat of a classic line pre: Iraq war........probably offen
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- Location: Bath, England
yesterday i watched the movie/documentary "bowling for columbine" (michael moore). if only half of it is true...
i had tears in my eyes several times during the film (sure, although quite critical, it was still a typical american show, hehe).
as a lot of people still see the 'american life' as an ideal and incorporate some its values into their culture/life, i don't really see a bright future...
if i look at the news correspondent in washington for the national tv station here... you can see her get more and more like these typical american reporters... melodrama wins over criticism.
my apologies if one of our american members feels offended...
http://www.bowlingforcolumbine.com/
i had tears in my eyes several times during the film (sure, although quite critical, it was still a typical american show, hehe).
as a lot of people still see the 'american life' as an ideal and incorporate some its values into their culture/life, i don't really see a bright future...
if i look at the news correspondent in washington for the national tv station here... you can see her get more and more like these typical american reporters... melodrama wins over criticism.
my apologies if one of our american members feels offended...
http://www.bowlingforcolumbine.com/
andy
the lunatics are in the hall
the lunatics are in the hall
I tried to watch this movie but I just stopped it after 20 minutes. Not that I don't see any lessons to be learned there, but to focus like the guy (moore) does on a couple of insane freakish individuals and events leaves the impression that it represents the american culture. It does not, at least not to the degree suggested in the part that I saw.
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- Location: Canada/France
If yall like Micheal Moore's message but not his work, (speaking as someone who loves Micheal Moore but understands that some find him grating) he gets most of his material from Greg Palast, whom the brits had borrowed for a couple of years. He's the guy who broke the Enron and presidential auction (Florida voting fraud) stories.
He's got lots of hard facts and is more info than entertainment. He's still funny, but it's more of a bitter, jaded, one-side-of-the-mouth-smiling, w/teeth clenched kind of funny.
Worth checking out.
Sam
p.s. the best rapper is most certainly not a white guy. Unless you take 'best' to mean 'most heavily promoted by corporations as he sends out the RIGHT KIND of wrong messages.'
If corporations had any interest in the messages behind REAL hiphop and rap, they would be promoting healthcare, more teachers, more complete welfare/job-training/job-assistance, and the like. But that would wipe out their access to cheap labor and that's what they want. So whatever messages oppress or at least numb in a way that they can get away with is what they will promote so long as it will be accepted by the lowest common denominator.
If you look at the history of jazz, the major record labels of the time sort of avoided jazz until there were more Dave Brubeck's and "upstanding white acts" that masses of jazz enthusiasts would still accept.
p.p.s. I really like Dave Brubeck, but I wouldn't call him the best jazz composer, even if something like that could be quantified.
Food for thunk.
He's got lots of hard facts and is more info than entertainment. He's still funny, but it's more of a bitter, jaded, one-side-of-the-mouth-smiling, w/teeth clenched kind of funny.
Worth checking out.
Sam
p.s. the best rapper is most certainly not a white guy. Unless you take 'best' to mean 'most heavily promoted by corporations as he sends out the RIGHT KIND of wrong messages.'
If corporations had any interest in the messages behind REAL hiphop and rap, they would be promoting healthcare, more teachers, more complete welfare/job-training/job-assistance, and the like. But that would wipe out their access to cheap labor and that's what they want. So whatever messages oppress or at least numb in a way that they can get away with is what they will promote so long as it will be accepted by the lowest common denominator.
If you look at the history of jazz, the major record labels of the time sort of avoided jazz until there were more Dave Brubeck's and "upstanding white acts" that masses of jazz enthusiasts would still accept.
p.p.s. I really like Dave Brubeck, but I wouldn't call him the best jazz composer, even if something like that could be quantified.
Food for thunk.