any luck at 96Khz?

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R-type
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Post by R-type »

I've just been playing around at 96Khz and I can't get my system reliable. It's a Pulsar I and PowerPulsar.

I've been avoiding Minimax since it's not 96Khz compatible but as I increase the DSP usage to about 3/4 I start getting DSP error messages.

Anyone getting 96Khz to work?

Anyone think I should give up and stick to 44Khz?
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valis
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Post by valis »

First make sure you're only using the i/o on the Powerpulsar and not the Pulsar1
R-type
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Post by R-type »

Yes I've done that, I haven't even got the pulsar i/o's loaded.
kimgr
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Post by kimgr »

I have two Scope cards, and I can't get 96KHz working proberly either...
I get all kinds of error messages like "Not enough audio bandwidth between dsp's" and "Big modules won't fit" !!!
I could live with the fact that some of the synths doesn't work in 96 since I need it mostly for mixing and mastering, but not even the STM-mixers seems to be working.
(On my setup anyway.)

:sad: Kim.
rodos1979
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Post by rodos1979 »

On my system with a Pulsar 2 and an XTC card, there seems not to be any problem with 96KHz (except heavy ASIO load)...
By they way, Kim, I d like to ask you a question: I was always wondering how easy would be for Creamware to make our cards working at 88.2KHz? I think it shouldnt be so difficult, isnt it? CW Cards already work at 32, 44.1 and 48KHz... 96KHz seems to derive from either 32(*3) or 48(*2).. is it so difficult to make them work at 88.2 (ie 48*2)?

To me it would be the preferable samplerate, since it offer almost whatever 96KHz offers, plus it is a lot easier and accuarate to downsample to 44.1KHz...

I wonder if any other people here agree with me..
gedas
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Post by gedas »

With my system clocked externally to Lucid clock at 88.2khz the system appears to be locked, although showing 96 khz. Haven't tried recording anything though... I only use 96 khz for mastering purposes. Going to try it on an upcoming acoustical project I'm offered to do.
Shayne White
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Post by Shayne White »

I tried running some stuff at 96K, but when the DSP load got too high (perhaps halfway full) I started getting DSP errors and PCI overflows. I think you'd better stick to 44.1K for now. :smile:

Shayne
Melodious Synth Radio
http://www.melodious-synth.com

Melodious synth music by Binary Sea
http://www.binary-sea.com
edmann
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Post by edmann »

take an hour and read this thread to interesting info on high SR's:

http://www.musicplayer.com/cgi-bin/ulti ... 000822;p=1

and this one regarding 44.1-88.2 and 48>96

http://www.musicplayer.com/ubb/ultimate ... 3;t=006417
R-type
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Post by R-type »

Thanks edmann, I read (most) of that.

Looks like I'll just stick with 44khz.

Lot's of pro engineers swear by 96Khz but since I'm just a lowly creative type I hardly need to offer my clients (I have none) the highest quality levels.

Lot's of people say 96Khz is great for VST instruments but since I mostly use Creamware stuff I hardly think I'll get a huge benefit. The benefits of Creamware are great sound at 44khz.

The only VST instruments I use are software samplers and from what I understand they won't benefit as much as VST synths at 96Khz .

So my conclusion is...it's not really worth going to 96Khz...for now. I'm going to stop messing around and get back to the music.
edmann
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Post by edmann »

Dan Lavry- of Lavry Converters - states that the optimum SR is somewhere around 65-70 khz, and as one goes above that the sound quality degrades. There is a thread onthis at pro.rec.com

Nika (see link above) - who really knows his stuff - illustrates how audio is different than video w/re to resolution - and that at 44.1 or 48, one is acheiving great results which do not improve with higher SR's - i.e. once it is "full" there is not "fuller". Nika even illustrates how the "higher SR = better DSP" theory is a myth.



I have read some engineers mentioning that low end suffers at the higher SR's
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