Well Mixed 'n' Mastered?
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Strange, but only old titles come to my mind... I mean Dire Straits (I don't remember the album title - the one with Telegraph Road), Sade, hehe - it seems to me modern albums are mastered to be just as-loud-as-possible - it's just simplifiing but for me it looks like 
The above artists are not my favourite BTW
Very interesting mastering is to be found on Future Sound Of London latest release. It's not straight forward "nice" and "warm" but I would call it interesting and that's why good.

The above artists are not my favourite BTW
Very interesting mastering is to be found on Future Sound Of London latest release. It's not straight forward "nice" and "warm" but I would call it interesting and that's why good.
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Of the albums I personally have, I find Zappa's stuff to be very well put together (again, fairly old).
I'm looking for a few examples of 'reference material' to put through my monitors...as a temporary work-around, I'm going to EQ the monitors as best I can such that a good reference source sounds 'right' played through them.
Ultimately, I would like to change the monitors for something better, but financially, that's some way off (I might yet use the B&W speakers as monitors, but that means I lose my hi-fi!)
Royston
I'm looking for a few examples of 'reference material' to put through my monitors...as a temporary work-around, I'm going to EQ the monitors as best I can such that a good reference source sounds 'right' played through them.
Ultimately, I would like to change the monitors for something better, but financially, that's some way off (I might yet use the B&W speakers as monitors, but that means I lose my hi-fi!)
Royston
- Nestor
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Tears for Fears: Woman In Chains, truly a WORK OF ART, it is just too much! It is a "momentum" mastering piece unique in its own right.
The engeneer was Bob Clearmountain, a real golden ear man!
Read about him and learn:
http://mixonline.com/ar/audio_bob_clearmountain/
<font size=-1>[ This Message was edited by: Nestor on 2004-04-22 12:37 ]</font>
The engeneer was Bob Clearmountain, a real golden ear man!
Read about him and learn:
http://mixonline.com/ar/audio_bob_clearmountain/
<font size=-1>[ This Message was edited by: Nestor on 2004-04-22 12:37 ]</font>
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"daddy do you have a cigarette for me" !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!On 2004-04-22 21:57, scary808 wrote:
Coil - Love's Secret Domain.
"Fingers of the right hand spell -love"!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Besides great songs this album is indeed very well produced! Selective sound, amazing stereo image!!!!!!!!!!!!!!!!!!!!!!
BTW
Psychic TV "Peak Hour" is also great for system tests!!!!
<font size=-1>[ This Message was edited by: samplaire on 2004-04-23 04:48 ]</font>
- AudioIrony
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"Further Back & Faster" is such an epic!!! "Peak Hour" is very cool album too! I'm so excited about the Throbbing Gristle show next month. Coil, Chris & Cosey, & Genesis P Orridge will also be performing on thier own as well.On 2004-04-23 04:46, samplaire wrote:"daddy do you have a cigarette for me" !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!On 2004-04-22 21:57, scary808 wrote:
Coil - Love's Secret Domain.
"Fingers of the right hand spell -love"!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Besides great songs this album is indeed very well produced! Selective sound, amazing stereo image!!!!!!!!!!!!!!!!!!!!!!
BTW
Psychic TV "Peak Hour" is also great for system tests!!!!
<font size=-1>[ This Message was edited by: samplaire on 2004-04-23 04:48 ]</font>
Tori Amos' "Scarlet's Walk" - Sounds fantastic - Loud, clear, deep and crystal. You can really notice how each and every album of her sounds better than the previous. In terms of sound, that is 
As for Sade, I really love "Love Deluxe" (1992), yet i believed it can sound even better when i compare it to newer recordings. If i put a PSY-Q on it, i can really make a large difference. I know that this album has been remastered along with all Sade albums in 2000, but i didn't hear the remastered version yet. Also, since the original is not that old, i expect that differences would be minor.
I also find Beck's Sea Change warm and pleasing for the ear. But it seems that this album sounds even better if the listener is... lonely
Duran Duran's re-recording of "Ordinary World" in 1993 (Not the faint original one!) and "Come Undone" were once used by me to check monitors. It's quite cool that "Come Undone" has this weak synth effect in the Mid-Range that is much better heard on good flat-response-monitors than on regular hi-fi systems.
Dire Straits' Brothers in Arms (Whole Album,1984) sounds great for me, very warm (PSY-Q had very little positive effect on it!) yet if you rip the CD and look at the audio, it's not even normalized!
Wavelength, NIN's Downward Spiral (1994) indeed sounded quite innovative when it came out, since the industrial genre wasn't well known in the mainstream up until then (I really like the dead-left-speaker on "Hurt"... I almost went to the shop to replace the 'damaged' CD
The mix is fantastic; a great dialog of weak faint parts and bright parts "take-over" attempts. I think, however, that "The Fragile" (1999) Sounds louder and clearer (But not as good if taste is considered
)
The album "Poem" by Delerium - Great mix, sounds big. It is rich, lush sounding - a colorful collage. Each track runs in my brain as a different color combination... anybody knows what i mean, or am i that psycho...?
<font size=-1>[ This Message was edited by: DigiSUN on 2004-04-23 23:04 ]</font>

As for Sade, I really love "Love Deluxe" (1992), yet i believed it can sound even better when i compare it to newer recordings. If i put a PSY-Q on it, i can really make a large difference. I know that this album has been remastered along with all Sade albums in 2000, but i didn't hear the remastered version yet. Also, since the original is not that old, i expect that differences would be minor.
I also find Beck's Sea Change warm and pleasing for the ear. But it seems that this album sounds even better if the listener is... lonely

Duran Duran's re-recording of "Ordinary World" in 1993 (Not the faint original one!) and "Come Undone" were once used by me to check monitors. It's quite cool that "Come Undone" has this weak synth effect in the Mid-Range that is much better heard on good flat-response-monitors than on regular hi-fi systems.
Dire Straits' Brothers in Arms (Whole Album,1984) sounds great for me, very warm (PSY-Q had very little positive effect on it!) yet if you rip the CD and look at the audio, it's not even normalized!
Wavelength, NIN's Downward Spiral (1994) indeed sounded quite innovative when it came out, since the industrial genre wasn't well known in the mainstream up until then (I really like the dead-left-speaker on "Hurt"... I almost went to the shop to replace the 'damaged' CD

The mix is fantastic; a great dialog of weak faint parts and bright parts "take-over" attempts. I think, however, that "The Fragile" (1999) Sounds louder and clearer (But not as good if taste is considered

The album "Poem" by Delerium - Great mix, sounds big. It is rich, lush sounding - a colorful collage. Each track runs in my brain as a different color combination... anybody knows what i mean, or am i that psycho...?

<font size=-1>[ This Message was edited by: DigiSUN on 2004-04-23 23:04 ]</font>
- paulrmartin
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Pink Floyd: Dark Side of the Moon
Jethro Tull: Thick as a Brick
Chick Corea Elektrik Band: Downside Up
Frank Zappa: Make a Jazz Noise Here
Van der Graaf Generator: GodBluff
Vinnie Colaiuta: Self titled
Brecker Brothers: The Return of the Brecker Brothers
Prokofiev 7 symphonies conducted by Seiji Ozawa(Deutsche Grammophon)
Refugee: Refugee
Ravel's L'enfant et les Sortilèges directed by Lorin Maazel(Deutsche Grammophon)
Spock's Beard: The Light
And the beat goes on.....
_________________
Paul R. Martin - Are we listening?
<font size=-1>[ This Message was edited by: paulrmartin on 2004-04-23 22:51 ]</font>
Jethro Tull: Thick as a Brick
Chick Corea Elektrik Band: Downside Up
Frank Zappa: Make a Jazz Noise Here
Van der Graaf Generator: GodBluff
Vinnie Colaiuta: Self titled
Brecker Brothers: The Return of the Brecker Brothers
Prokofiev 7 symphonies conducted by Seiji Ozawa(Deutsche Grammophon)
Refugee: Refugee
Ravel's L'enfant et les Sortilèges directed by Lorin Maazel(Deutsche Grammophon)
Spock's Beard: The Light
And the beat goes on.....
_________________
Paul R. Martin - Are we listening?
<font size=-1>[ This Message was edited by: paulrmartin on 2004-04-23 22:51 ]</font>