BX Digital LIVE
Posted: Wed Apr 18, 2018 8:48 am
Using QSC KW 153s or QSC K12s is always a pleasure in bigger rooms.
My only beef with 0s and 1s is in the low end stereo signals get unfocused, not phasy but possibly nullifying becuase my IEMs have a patent with built in corrections.
Jerry Harveys Patent is phenominal, it seems everyone uses it, it only took 7 months so that's a testament in it's usefulness too.
But BX Digital M/S Mono Maker built by Eric from DAS and designed by Ulrich is incredible.
Each little tweak changes the focus of not only low end signals but the M/S is so much better than stereo.
Ive had so many people ask the band leader if the keyboard guy was playing or posing over pre recorded tracks.
That confirms my suspicions/
Anyone having squinty eyes and frowns over your low end only need to set the mono maker @20-260 and check out your sound.
Making the low end mono in stereo cabinets is fucking incredible.
I never saw an amp that provides this.
Just another reason to buy Scope unless you like sounding like the dude next door.
My only beef with 0s and 1s is in the low end stereo signals get unfocused, not phasy but possibly nullifying becuase my IEMs have a patent with built in corrections.
Jerry Harveys Patent is phenominal, it seems everyone uses it, it only took 7 months so that's a testament in it's usefulness too.
But BX Digital M/S Mono Maker built by Eric from DAS and designed by Ulrich is incredible.
Each little tweak changes the focus of not only low end signals but the M/S is so much better than stereo.
Ive had so many people ask the band leader if the keyboard guy was playing or posing over pre recorded tracks.
That confirms my suspicions/
Anyone having squinty eyes and frowns over your low end only need to set the mono maker @20-260 and check out your sound.
Making the low end mono in stereo cabinets is fucking incredible.
I never saw an amp that provides this.
Just another reason to buy Scope unless you like sounding like the dude next door.